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Bill is an energetic and passionate quilt-maker, motivated to create work that changes the way folks view the world.His work pushes limits, challenges tradition, redefines quilt-making, and explores alternate materials and techniques.He is a storyteller and quilts are his medium. While the experiences and issues addressed in his work are his own, viewers react to them on both a general and a personal level. His goal is for viewers to think, react, have conversations; that they’ll see his work as true and honest; something that matters; something that will make a difference.

I sell handmade Scottish kilts and many other costumes used for highland dancing. 

Christianna Ferguson Christianna Ferguson is a textile artist and educator with a full time studio practice in Lakefield Ontario. Working primarily making handmade felt, her work is recognizable for it’s colourful multi-layered surface design and ranges from wearables and accessories to conceptual work. Making textiles with this simple yet versatile material allows her to play with colour, texture, pattern, form and surface design in an infinite number of ways. Christianna’s passion for felt began during a year abroad in Western Australia where she joined a Felting Guild in 2012. She is the ...

Colleen has spent years developing and improving her fibre skills. She is a weaver, spinner, dyer, stitcher and is now focused on botanical printing and both wet and needle felting. Functionality is important and the use of natural dyes and fibres coincide with her belief in being kind to our threatened ecosystem.She has studied locally and abroad: Scandinavia, England, New Zealand, Thailand and France. Membership in many professional guilds and organizations keeps her in touch with the latest trends. Currently Colleen belongs to Felt-Feutre in Canada, International Fibre Association of ...

I am an emerging textile artist who is exploring the use of textiles as a tool to create community and viewer engagement. Recent work has included creation ofan interactive installation consisting of 24 appliqued, embroidered, and beaded flower images adapted from a traditional quilting block format and based on Victorian and Japanese hanakotoba floral coding systems presented in the form of eight flower language puzzles for viewers to solve. In addition creating fine craft that can serve as a game and educational tool my practice also involves the incorporation of feminist themes. I have ...

Dana has a master’s degree in architecture. She worked in Prague and Toronto architectural firms before switching to textile art. In 1978, Dana established and ran the company Artacious, designing and painting textile art wall pieces, silk fabrics and artwear. Since moving from Toronto to Canmore in 1997, Dana has become involved in the Alberta art community and is now a full-time studio artist, working in mixed media, acrylics and textiles. Dana won many awards for her art locally, nationally and internationally; one of the local awards was the textile art competition for Canmore Art Trust ...

In the heart of Lamps Studio Design beats a passion for colour, life, and sustainability. My creative process is a dance of materials and inspiration, merging sustainably sourced natural elements with the vibrant spirit of Latino style. Banana paper from Brazil is my muse, a medium that embodies the harmonious blend of art and nature. Crafted by women entrepreneurs committed to sustainability, each sheet of banana paper tells a story of resilience and creativity. My designs breathe life into this unique material, creating lampshades and luminaires that are as individual as the hands that ...

My spirit name isEastern Turtle Woman of the Marten Clan. My ancestors come from Serpent River First Nation on the north shore of Georgian Bay. I still make my home along Georgian Bay, on the south shore in Midland, Ontario. My given name is Elizabeth Cascagnette. My home is my studio where am I am inspired throughout the seasons because of my view of Midland Harbour. I work with natural fibres and each ball of yarn is destined to become a finished product based on the texture and colour that speaks to me as to what it will become. Everything I sew is inspired by indigenous-patterned fabric I ...

Emerance Baker is an Upper Cayuga/Hungarian textiles based craftsperson who lives in a little log cabin in the country beside Stoney Lake in the Kawarthas, Ontario. Emerance loves all things textiles and slow craft but focuses her studio work on custom garment making, bag design, surface pattern design, textile printing, and textile dying. Given her concern for the environment she prioritizes zero waste and sustainable craft in her studio practices. She's a retired educator and researcher who loves to teach in her studio and continues to learn as much as she can about textile craft. 

Helen Liene Dreifelds is an emerging visual artist working in sculpture and installation informed bytextile thinking. Through structured improvisation, her work investigates transformation throughthemes of affect, translation, hybrid folklore, and duration. Speaking Through Flowers: CulturalMistranslations and Material Entanglements is the working title of her most recent artistic researchdriven by the questions: How do change processes occur? What enables shifts in knowledge? Howcould mistranslations and entanglements reveal aspects of the past, present, and possible future(s)? Shared studio ...

Bayberry bags are made from thrifted or upcycled fabric and are unique and handmade to order in Canada. Jen, the designer and maker, is passionate about sustainable fashion and loves everything about the process. She enjoys finding fabric at thrift stores and estate sales across the country, designing bags, matching straps to linings, making hardware choices, and the joy of putting a finished bag in the hands of its owner. Jen splits her time between Ontario and Prince Edward Island, and the brand Bayberry is inspired by the plant of the same name which thrives at Jen’s PEI oceanside ...

Jill Priceis a Canadian artist grateful to be living on the traditional territory of the Huron-Wendat and Anishinaabeg peoples in Barrie, Ontario. Working at the intersections of craft, drawing, performance and environmental activism, Price achieved her BFA and B.Ed. at the University of Western Ontario and received SSHRC research fellowships for her OCADU MFA thesisLand as Archive: A Collection of Seen & Unseen Shadows. Also receiving a SSHRC research fellowship for a research-creation PhD at Queen’s University, Price’s thesis From Unsettling to Unmaking investigate how unmaking can be a ...